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Stories aren't over after the flood waters recede, journalists say

By Fen Hsiao


Human nature is to turn and run from an oncoming fire or flood, but for environmental journalists, their job is be on the scene, reporting not only on the disaster, but to follow up on issues that could affect future public policy.

"It's like watching a slow motion train wreck," Mark Hammill of WQAD-TV said about covering a flood.

Hammill has covered the beginning, climax and aftermath of five 100-year floods along the Mississippi River in the past eight years from his station in Western Illinois.

A 100-year flood is a flood that has one chance in 100 years of happening again.

Hammill said the devastation from natural disasters, such as floods, lasts indefinitely and is a never-ending story.

He joined moderator Scott Miller of KING-TV in Seattle; Lee Wilkins, a professor at the University of Missouri; and Steve Shumake, a reporter for the North Carolina News Network in a how-to-workshop, "Covering Disasters Without Becoming One."

Miller said environmental journalists, when covering disasters, need to find angles that attract the public and inform them of information that often later shape public policy decisions.

"I've never even heard anybody explain what a 100-year flood is," Miller said, about journalists lack of providing appropriate facts.

Shumake said that after reporting on the initial disaster, environmental journalists need to follow up on the effect and significance.

In the Midwest, he said, hog lots are starting to attract coverage because the hog manure runs into fresh water after a flood or hurricane. Storm water is heavily polluted by human waste flooding reservoirs and causing algae to bloom, he said.

Wilkins said she teaches her environmental journalism students to be aware that often inaccurate data are given on the chances of a disaster. She said predictions are usually wrong and almost always low.

She said environmental journalists need to ask what the numbers mean and what do they not know.

"I think it's hard for the average reader to understand," Wilkins said, "We owe it to our viewers and readers to tell them and let them know we have a chance of 100-year flood every year."

Wilkins said relevant public policy issues are often overlooked because the worst of the disaster is over, but the problems still need coverage.

"You have to remind editors what the hook is," she said, in order to resume covering a story that may have passed several months ago.

Environmental journalists should not only help people with the current situation, but help society evaluate what happened, Wilkins said.

She said media have contributed to the dangers of environmental disasters.

"I am convinced the media have become a visual cliche," she said, of repeated pictures during floods of children playing in flood water or of cars trapped in a flood.

Wilkins said journalists need to first think about the long-term visual impact repeated images will have on the public when associated with disaster situations.

She said her students admitted finding it difficult to come up with pictures having different angles than the ones they were so used to seeing.

"Our behavior needs to change," she said.

Pictures of dangerous situations need to be accompanied by a warning and should have visual continuity and not be used just to fill air time, Wilkins said.

The SEJ convention was held Oct. 2-5 at the University of Arizona in Tucson.


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